The NEXT 100

On a green cut of fabric, a zigzag design is woven out of blue, yellow, pink, purple, and red with multi-colored woven dots framing each valley.
An embroidered plumed serpent, representing the passage of time, from the Latin American Studies graduation stole, created by Consejo de tejedoras IXKOJ AJKEM

Just as the last century of Tulane and Latin America has witnessed such tremendous transformation, we ask ourselves what challenges and changes await us in The Next 100.

We asked individuals to reflect: What does the future hold for Latin American Studies at Tulane? What directions and areas of study does it include? What are the values that move us toward this future?

If you missed our first call, the submission form is still open.

A hand-crafted vase with geometrical designs carved into the bowl section. A decorative carving of an animal head juts out of the side. The two handles to the vase with three decorative thorns per handle.

This piece of pottery represents the year I spent teaching English and environmental education to elementary students on the west coast of Costa Rica. I bought it in 1993 from a “pop up” on the side of the road. My degree in Latin American Studies from Tulane inspired me to go and be a part of a different culture, not just read about it in a book. That was a transformative year for me. I hope The NEXT 100 continues to inspire small-town folks like me to live beyond what they could have imagined for themselves when they showed up for that first day of classes.

Amy Fitzgerald (BA, Latin American Studies, 1991, Tulane). Submitted May 2024.
Ana Villar (Sr. Program Manager for International Travel and Engagement). Submitted May 2024.

When I was writing my thesis at the National Autonomous University of Mexico (UNAM) Dr. Armando García Gutiérrez, a member of my thesis committee, traveled to Tulane’s Latin American Library to work on a new edition of Mexican scholar Fernando Horcasitas’ work on Nahuatl colonial theater. I had never heard of Tulane, but I became very intrigued. After reading about the Latin American Library and the Stone Center, I decided to apply. At Tulane, I learned about Mexican pre-contact and colonial history, above all, I learned of decolonial ways to study the history of my country and its indigenous people. My graduate assistantship at the Latin American Library changed the trajectory of my life. I worked as the assistant of David Dressing, Manuscripts Curator. This experience allowed me to get the job of Latin American & Caribbean Special Collections Librarian at the University of Florida. Here I have used the knowledge and skills I acquired in Tulane to ensure the fair representation of all the people who live in Latin America in our collection. Recently, I have shifted focus to include the Latin American and Caribbean diaspora. I believe that this is the direction that Latin American Studies and Latin American collections should follow. For many years we have spotlighted Latin America, it is time that we also included the diaspora. Latin American Studies cannot be understood without Latinx Studies and vice versa.

Margarita Vargas-Betancourt (PhD, Latin American Studies, 2015, Tulane), Latin American and Caribbean Special Collections Librarian at the University of Florida. Submitted May 2024.

A middle-aged Mexican woman with black, bob cut hair, red glasses, and beaded earrings and necklace. She is smiling at the camera.